Rie Nakajima, Automatic Drawing 05


Rie Nakajima, Automatic Drawing 06


Rie Nakajima, Automatic Drawing 07

Work on paper. Carbon paper imprint on paper. Unique in series, 2014. Paper size 210 x 297 mm. Signed on rear. Frame size 409 x 323 mm. Tuilip wood frame with white limed finish and window mount.

Nakajima works with found objects and electrical devices, and arranges them in response to a space. The objects are a bric-a-brac assortment that might be found on a market stall: they could include, for example, food tins, porcelain bowls, ball bearings and a large yellow sponge. She carefully combines electrical devices and motors with a selection of objects to give them a life force. When activated these primitive automata perform cycles of whirring, drumming or vibrating, or simply of slight shifts between movement and stillness.

In Automatic Drawing Nakajima takes a selection of these same electrical devices and this time places them on to carbon paper, in a process of adjusting and composing the automata she takes a recording of their activity as imprints. Evidence of small repetitive movements and vibrations fill the paper in a sculptural act.

Rie Nakajima (born 1976, Yokohama, Japan) lives and works in London. Recent exhibitions include: Room Artspace, London (2014); Instants Chavirés, Montreuil (2014) and 3331 Arts Chiyoda, Tokyo (2014). Nakajima has produced the ‘Sculpture’ series with David Toop since 2013. She has collaborated with David Cunningham, Miki Yui, Phill Niblock, Guy De Bièvre, Pierre Berthet and Johan Vandelmaelen, amongst others. In 2014 she won the Arts Foundation Award in the category of Experimental Music.